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	<title>www.antoninheck.com</title>
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	<pubDate>Thu, 10 Sep 2026 12:23:36 +0000</pubDate>
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		<title>Home</title>
				
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		<pubDate>Thu, 18 Apr 2019 07:44:45 +0000</pubDate>

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		<title>Sveglia</title>
				
		<link>https://antoninheck.com/Sveglia</link>

		<pubDate>Thu, 10 Sep 2026 12:23:36 +0000</pubDate>

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		<description>SVEGLIA1IMMEUBLE, 1 ŒUVRE
QUARTIER DE L’ÉVEIL - ANNECY 2026
PARTENAIRES : GALERIE BY LARA SEDBON, GROUPE EIFFAGE EN COPROMOTION AVEC PRIMALP, ECA D’ANNECU
PHOTO : PAULINE DE MELO
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Sveglia — « réveil » en italien — est un ensemble de trois œuvres sculpturales nées du dialogue entre la mémoire du lieu, la matière recyclée et la parole des habitants. Le projet s'inspire de la flore sauvage et rare du territoire d'Annecy ainsi que des transformations de la ville au cours de son histoire&#38;nbsp; : premières traces d'habitat sur les rives du lac, vestiges romains, scission médiévale entre Annecy-le-Vieux et Annecy-le-Neuf — ces exemples d'adaptation et de résilience&#38;nbsp; résonnent avec le nouveau quartier de L'Eveil. Au cœur de l'œuvre, une chorégraphie de silhouettes humaines en métal portant une orchidée monumentale, symbolise la délicatesse, l'amour et la fertilité en écho avec la nature qui entoure Annecy. L'œuvre incarne les transitions et la croissance, invitant à considérer avec soin le lieu où l'on vit. Les sculptures naissent d'un travail de collecte et de réemploi — grilles récupérées de l'ancienne école, matériaux du chantier, témoignages des anciens élèves — elles ont été façonnées aux côtés des étudiants en Première, spécialité métallerie, de l'ECA. À travers Sveglia, l'art s'inscrit dans une réflexion poétique et engagée sur l'habitat.[EN] 
Sveglia — “alarm clock” in Italian — is a series of three sculptural works born from a dialogue between the memory of the place, recycled materials, and the voices of the residents. The project draws inspiration from the rare wild flora of the Annecy region as well as the city’s transformations throughout its history: the earliest traces of settlement on the lake’s shores, Roman ruins, and the medieval division between Annecy-le-Vieux and Annecy-le-Neuf—these examples of adaptation and resilience resonate with the new L’Eveil neighborhood. At the heart of the artwork, a choreography of metal human silhouettes holding a monumental orchid symbolizes delicacy, love, and fertility, echoing the nature that surrounds Annecy. The artwork embodies transitions and growth, inviting us to carefully consider the place where we live. The sculptures are the result of a process of collection and reuse—fences salvaged from the old school, construction site materials, and mementos from former students—and were crafted in collaboration with ECA students in their senior year specializing in metalwork.
Through Sveglia, art becomes part of a poetic and socially engaged reflection on the built environment.


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		<title>5 Owls from shadow to the light</title>
				
		<link>https://antoninheck.com/5-Owls-from-shadow-to-the-light</link>

		<pubDate>Thu, 21 Mar 2024 09:02:00 +0000</pubDate>

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		<description>5 OWLS FROM SHADOW 
TO THE LIGHT&#38;nbsp;1 IMMEUBLE, 1 ŒUVRE

VILLAGES MEDIAS - OLYMPIC GAMES -&#38;nbsp;PARIS 2024

PARTENAIRES : GALERIE BY LARA SEDBON, SOLIDEO, SOGEPROM, LA PLAINE FONDERIE D’ART, MINERALISA, FRANÇOIS CHAILLOU, ID VERDE, SAS PAYSAGE

PHOTO : GILLES BADET

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Cette commande publique pour les Village des Médias Paris 2024 - propose en recyclant des matériaux un regard innovant sur la ville en devenir. 


Les matériaux recherchés sur le chantier de construction sont les traces invisibles d’une entreprise humaine qui façonne son environnement. Les matériaux recueillis qui constituent l’œuvres sont reconnaissables de par leur modelé.


Les sculptures en bronze prennent place dans l’espace public sur des stèles en pisé aux strates colorées (géo-béton).


Le projet valorise et use des métiers anciens de la fonderie et de la construction en terre. 


La faune sauvage de Seine-Saint-Denis est célébrée. Les moyen-ducs représentés sont recensés par Nature 2000 sur la commune hôte.


Le choix des partenaires, dans la chaine de production et de réalisation, sont tous domiciliés en Seine-Saint-Denis. Cela fait sens avec l’écologie du projet et ses ressources en lien avec ce territoire.


5 Owls from shadow to the light est un programme “1 immeuble - 1 œuvre”.

[EN]This public commission for the Media Village Paris 2024 - uses recycled materials to take an innovative look at the city in the making.The materials collected from the construction site are the invisible traces of a human enterprise that shapes its environment. The collected materials that make up the work are recognizable by their shape.The bronze sculptures take their place in the public space on steles of adobe with colored strata (geo-concrete).The project valorizes and makes use of the ancient trades of foundry and earth construction.The wildlife of Seine-Saint-Denis is celebrated. The medium-sized owls represented are listed by Nature 2000 in the host commune.The choice of partners in the production and realization chain are all domiciled in Seine-Saint-Denis. This makes sense in terms of the project's ecology and the resources linked to the area.5 Owls from shadow to the light is a "1 building - 1 work" program.
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		<title>Roma</title>
				
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		<pubDate>Fri, 15 Nov 2024 10:25:49 +0000</pubDate>

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	ROMA
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BRONZE EDIT2/8 + 4EA
LA PLAINE FONDERIE D’ART - SUSSE FONDEUR
2024
GALERIE BY LARA SEDBON - PARIS
PHOTO : THOMAS JORION

&#38;nbsp;
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		<title>Evol</title>
				
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		<pubDate>Fri, 15 Nov 2024 11:13:53 +0000</pubDate>

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		<description>EVOLSMOKE GREY
BRONZE EDIT2/8+4EA
FONDERIE D’ART DE LA PLAINE - SUSSE FONDEUR
2024
GALERIE BY LARA SEDBON - PARIS


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</description>
		
	</item>
		
		
	<item>
		<title>Jardin divers</title>
				
		<link>https://antoninheck.com/Jardin-divers</link>

		<pubDate>Sat, 01 Nov 2025 12:02:18 +0000</pubDate>

		<dc:creator>www.antoninheck.com</dc:creator>

		<guid isPermaLink="true">https://antoninheck.com/Jardin-divers</guid>

		<description>JARDIN DIVERS
CRÉATION D’UN JARDIN DE SCULPTURES ET DE FLEURS SAUVAGES
PARTENAIRES : ALRA,&#38;nbsp;EST ENSEMBLE, IMMOBOLIÈRE 3F, VILLE DES LILAS


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Salut à toi,



Tu as découvert quelques dessins que j’ai réalisés cet hiver 2025 dans la Résidence de l’Avenir aux Lilas.

Après une première collaboration avec l’Amicale des Locataires de la Résidence de l’Avenir en 2021, le projet Jardin Divers poursuit l’histoire d’une rencontre entre les habitant·e·s et la sculpture. 

En recyclant le bois coupé d’un arbre devenu dangereux dans le parc, une série de sculptures va naitre.



Dans cette nouvelle aventure, je choisis d’enrichir la commande d’un geste dessiné. Un plan du jardin vu du ciel ouvre le carnet. Les étapes clefs sont représentées : préparation de la terre, sculptures en cours de fabrication, ateliers participatifs, observation du vivant et planches botaniques. Les plantes dessinées font partie d’un ensemble endémique du nord-est de l’Ile-de-France que j’ai proposé. Leur permaculture crée de véritables couloirs de biodiversité aérienne et souterraine. 



Avec les résident·e·s, j’ai conçu ce jardin comme un espace intime où la nature a repris ses droits. La convivialité, le dialogue et l’imagination y règnent. Cette clairière entourée de plantes sauvages se peuple de sculptures oniriques et étranges. Ces sculptures incarnent la mémoire du Fort de Romainville, à la fois sublimée et déformée par le temps. Jardin Divers traduit un désir d’action et d’entraide citoyenne pour améliorer notre cadre de vie par l’Art. Les jardinier·e·s urbain·e·s de la résidence que je remercie pour leur engagement, peuvent cultiver la parcelle et y fabriquer leur compost collectif.



Ce carnet retrace quelques épisodes de vie à l’Avenir. 

Et quelques pages vierges t’invitent à continuer l’aventure en dessinant ce que tu observes autour de toi.



Bon trait,[EN]
Hi there,

You're about to discover some drawings I made this winter at the Résidence de l'Avenir in Les Lilas.
After an initial collaboration with the Amicale des Locataires de la Résidence de l'Avenir in 2021, the Jardin Divers project continues the story of an encounter between residents and sculpture. 
By recycling wood cut from a tree that had become dangerous in the park, a series of sculptures will be created.In this new adventure, I chose to enrich the commission with a drawn gesture. A plan of the garden seen from above opens the notebook. The key stages are represented: preparation of the soil, sculptures in progress, participatory workshops, observation of living things, and botanical plates. The plants drawn are part of a collection endemic to the northeast of the Ile-de-France region that I proposed. Their permaculture creates real corridors of aerial and underground biodiversity.
Together with the residents, I designed this garden as an intimate space where nature has reclaimed its rights. Conviviality, dialogue, and imagination reign supreme here. This clearing surrounded by wild plants is populated by dreamlike and strange sculptures. These sculptures embody the memory of the Fort de Romainville, both sublimated and distorted by time. Jardin Divers reflects a desire for action and citizen solidarity to improve our living environment through art. The urban gardeners of the residence, whom I thank for their commitment, can cultivate the plot and make their collective compost there.This notebook recounts a few episodes from life at L'Avenir. 
And a few blank pages invite you to continue the adventure by drawing what you see around you.

Happy drawing!


&#38;nbsp;

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&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Scénographie</title>
				
		<link>https://antoninheck.com/Scenographie</link>

		<pubDate>Mon, 29 Jan 2024 14:20:24 +0000</pubDate>

		<dc:creator>www.antoninheck.com</dc:creator>

		<guid isPermaLink="true">https://antoninheck.com/Scenographie</guid>

		<description>



SCÉNOGRAPHIE


OH C’EST QUOI ÇA ?
2024

Compagnie L’Encyclopédie de la parole


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« Oh c’est quoi ça ? » Quel enfant n’a jamais dit cela face à un événement ou un nouvel objet ? La curiosité que portent les tout petits à ce qui les entoure est immense. Convoquant la capacité d’émerveillement des enfants, les comédiens, accompagnés d’objets lumineux et colorés, jouent avec leur corps et leur voix dans l’espace. Oh c’est quoi ça ? est une forme de ballet-concert où les paroles sont autant de possibilités de composer des partitions.
L’Encyclopédie de la parole est un collectif qui collectionne, depuis 2007, des enregistrements de parole de toutes sortes et dont sont issus spectacles et performances. Après blablabla (présenté en 2017 au Théâtre Paris-Villette), l’Encyclopédie de la parole souhaite avec Oh c’est quoi ça ? s’adresser au très jeune public.

Génériqueconception Encyclopédie de la parole / composition&#38;nbsp;Nicolas Rollet&#38;nbsp;/ mise en scène&#38;nbsp;Raffaella Gardon&#38;nbsp;/ jeu&#38;nbsp;Daniel Collados Blasco,&#38;nbsp;Raffaella Gardon&#38;nbsp;/ dramaturgie&#38;nbsp;Caroline Masini&#38;nbsp;/ scénographie&#38;nbsp;Antonin Heck&#38;nbsp;/&#38;nbsp;création lumière Jérôme Dejean / costumes Caroline Denquin / regard chorégraphique&#38;nbsp;Inés Hernández&#38;nbsp;/&#38;nbsp;régie générale en tournée&#38;nbsp;Alice Marin&#38;nbsp;ou&#38;nbsp;Marie-Jeanne Assayag Lion / administration et production Edwige Dousset / production et diffusion&#38;nbsp;Garance Crouillère,&#38;nbsp;Solène Lemoine&#38;nbsp;/&#38;nbsp;© Denise Oliver Fierro

production Echelle 1:1 / coproduction Théâtre Nouvelle Génération CDN – Lyon, Am Stram Gram – Centre international de création, partenaire de l’enfance et la jeunesse –&#38;nbsp;Genève, Théâtre Molière de Sète –&#38;nbsp;scène nationale Archipel de Thau, Théâtre Paris-Villette, Le Sémaphore Théâtre –&#38;nbsp;Port-de-Bouc&#38;nbsp;; Théâtre d’Angoulême –&#38;nbsp;scène nationale, Théâtre L’Éclat – Pont Audemer, Le Volcan –&#38;nbsp;scène nationale du Havre / soutien ville de Gennevilliers / remerciements à Drahi X, Centre pour l’innovation de L’École Polytechnique, pour le développement des prototypes de la scénographie.
Lauréat 2022 de La Couveuse, dispositif d’accompagnement des nouvelles écritures scéniques pour la petite enfance (Théâtre Paris-Villette, Théâtre Nouvelle Génération – CDN de Lyon, Théâtre Molière de Sète – scène nationale archipel de Thau, Théâtre Am Stam Gram de Genève – centre de création).
Avec le soutien de la Ville de Gennevilliers et du Théâtre Paris-VilletteCe texte est lauréat de l’Aide à la création de textes dramatiques – ARTCENA

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TA’AM
2020

Compagnie Safra



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Comme le ferait la ponctuation d'un poème pour incarner la poésie d'un texte, les te'amim sont à la fois des signes écrits, traduits par des signes de mains, qui indiquent une manière de phraser et de chanter les textes sacrés. C'est à travers leur dimension chorégraphique et musicale que "TA'AM" se déploie en un trio Danse, Oud et Voix; un trio où Mélopée tunisiennes arabes et judéo-arabes, gestuelles des mains disant plus que le mot, et frappes de pied telluriques collaborent pour créer tressage et rencontre des cultures.

Battre la terre, du pied et à la voix ; Toucher le son, laisser vibrer son écho pour en permettre la coulée ; Dessiner, creuser, délayer, mariner, mélanger les signes à la main et à la voix pour en extraire le parfum ; faire du corps une écriture vivante ; Signer sur la peau ; Faire résonner en miroir les effluves d'une musique tunisienne revisitée par les cordes électrifiées d’un oud aux allures rock ; Et faire co-exister les sous-pulsations de cultures parallèles se nourrissant des mêmes feux.

La danse d'Amalia Alba et de Jessica Bonamy, empreintes des signes de teamim, rencontrent &#38;nbsp;le oud d’Abderraouf Ouertani, pour une ode à la musicalité de nos vies ; invitant à une attention toute particulière pour le goût des choses.

Générique
Chorégraphie : Jessica Bonamy
Composition et Oud : Abderraouf Ouertani
Danse et Chant: Amalia Alba, Jessica Bonamy
Scénographie : Antonin Heck
Lumière: Flore Dupont
Chant: Abderraouf Ouertani, Jessica Bonamy


Co-production: Musée d’Art et d’Histoire du Judaïsme
Soutien en résidence: Institut du Monde Arabe, Atelier de Paris CDCN, Ville du Kremlin Bicêtre, CND. 


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</description>
		
	</item>
		
		
	<item>
		<title>Navire Avenir</title>
				
		<link>https://antoninheck.com/Navire-Avenir</link>

		<pubDate>Sat, 24 Jul 2021 08:16:46 +0000</pubDate>

		<dc:creator>www.antoninheck.com</dc:creator>

		<guid isPermaLink="true">https://antoninheck.com/Navire-Avenir</guid>

		<description>



NAVIRE AVENIRsculptures monumentales dans l’espace public
Cette oeuvre monumentale est une collaboration artistique entre 3 sculpteurs -&#38;nbsp;Freddy Tsimba, Sigolène de Chassy et&#38;nbsp;Antonin Heck -, un ensemble de 7 sculptures en acier Corten, implanté dans une résidence de 1500 habitants de la ville des Lilas, en Seine-Saint-Denis. Les contours de cette résidence de l’Avenir dessinent, vue du ciel, un navire. Nous avons traduit l’anagramme du mot navire en anamorphoses sculptées, pour écrire dans l’espace le mot Avenir, lisible d’un seul point fixe. Une grande sculpture-illusion en forme de main, de 5 mètres de hauteur, avance entre les lettres et symbolise la solidarité, le futur en marche. Une découpe dans la paume de cette main, cadre parfaitement le champ de vision sur la tour TDF en arrière plan, voisine gigantesque du site. 

Ce projet est lauréat du Budget participatif de la ville des Lilas

Partenaires : ALRA, Ville des Lilas, Immobilière 3F, EST Ensemble, CLCV




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		<title>Bigfoot</title>
				
		<link>https://antoninheck.com/Bigfoot</link>

		<pubDate>Tue, 30 Jan 2024 12:59:54 +0000</pubDate>

		<dc:creator>www.antoninheck.com</dc:creator>

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		<description>BIGFOOTPRIX BHN 2023
ANTONIN HECK - CATHERINE URSIN - T.LÉO


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BIGFOOT est une œuvre d’art éphémère et monumentale de 777m2 qui s’implante sur le terrain de football des Grandes Voisines.En résonance avec les activités du site, ce projet tisse un lien entre hospitalité, territoire et identité. L’œuvre modèle le paysage, ouvre de nouveaux regards sur le stade et offre des interprétations multiples. Elle se joue des dimensions et des échelles de grandeurs pour devenir gigantesque et rallie des « contraires » pour modifier le paysage.

Durant la résidence, un atelier participatif, ouvert à tous et permanent est mené chaque jour par Antonin Heck, T.Léo et Catherine Ursin. Cet atelier utilise principalement le réemploi de divers matériaux. Les savoir-faire artistiques et professionnels rencontrés sur le site sont mis en valeur et inclus au processus de création de l’œuvre.
&#38;nbsp;
🍀

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		<title>L'impact de la hache</title>
				
		<link>https://antoninheck.com/L-impact-de-la-hache</link>

		<pubDate>Thu, 18 Apr 2019 07:44:46 +0000</pubDate>

		<dc:creator>www.antoninheck.com</dc:creator>

		<guid isPermaLink="true">https://antoninheck.com/L-impact-de-la-hache</guid>

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L’IMPACT DE LA HACHE&#38;nbsp;
SCULPTURES EN BOIS DES RUES





	
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︎
Antonin Heck travaille sur la transversalité du fonctionnement du matériau bois et produit des sculptures à la hache. Il nomme l’ensemble de ce travail L’impact de la hache et développe une technique de l’éclatement de la matière par l’impact pour modeler des figures humaines.

Antonin Heck a une technique minimaliste pour concevoir les éléments anatomiques de ses sculptures. Sous les coups de la hache et de la masse, il produit des éclats, qui deviennent les articulations, les tendons et les muscles, les détails du visages et du corps, assemblés aux clous.


« C’est la Vie face à la violence du monde, face à la mort, face aux violences obstétricales, au règne de la féminité hégémonique, au machisme et au racisme ordinaire, aux violences psychiques, c’est la Vie qui est dans mes sculptures ».

[EN]

Antonin Heck works on the transversality of the functioning of the material wood and producessculptures with an ax. He calls all of this work The impact of the ax and develops a technique 
of the bursting of the material by the impact to model human figures.

Antonin Heck has a minimalist technique to design the anatomical elements of his sculptures. Under the blows of the ax and the mace, it produces shards, which become the joints, 
the tendons and the muscles, the details of the faces and the body, assembled with the nails
"It is Life in the face of the violence of the world, in the face of death, in the face of obstetrical violence, 
the reign of hegemonic femininity, machismo and ordinary racism, psychic violence, 
it is Life that is in my sculptures”.







🔥



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︎❤️︎






	






	



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